दर्शन दो घनश्याम नाथ मेरी अखियाँ प्यासी
darśana do ghanaśyāma nātha, morī am̐khiyām̐ pyāsī re | mana maṃdira kī jyoti jagā do, ghaṭa ghaṭa vāsī re ||
maṃdira maṃdira mūrata terī, phira bhī na dīkhe sūrata terī | yuga bīte, na āī milana kī pūranamāsī re ||
dvāra dayā kā jaba tū khole, paṃcama svara meṃ gūm̐gā bole | aṃdhā dekhe, laṃgaṛā calakara pahum̐ce kāśī re ||
pānī pī kara pyāsa bujhāūm̐, nainana ko kaise samajhāūm̐ | ām̐kha micaulī choṛo aba to, ghaṭa-ghaṭa vāsī re ||
darśana do ghanaśyāma nātha, morī am̐khiyām̐ pyāsī re | mana maṃdira kī jyoti jagā do, ghaṭa ghaṭa vāsī re ||
maṃdira maṃdira mūrata terī, phira bhī na dīkhe sūrata terī | yuga bīte, na āī milana kī pūranamāsī re ||
dvāra dayā kā jaba tū khole, paṃcama svara meṃ gūm̐gā bole | aṃdhā dekhe, laṃgaṛā calakara pahum̐ce kāśī re ||
pānī pī kara pyāsa bujhāūm̐, nainana ko kaise samajhāūm̐ | ām̐kha micaulī choṛo aba to, ghaṭa-ghaṭa vāsī re ||
Sources 1
- Sahaja Yoga "Sahaj Geet" pustika — Traditional deity bhajans only
References 5
- kavitakosh.org — Full lyric credited to Gopal Singh Nepali, 'फ़िल्म नरसी भगत': mukhda + 3 antaras in the order मंदिर / द्वार / पानी; last line 'आँख मिचौली छोड़ो अब तो, घट-घट वासी रे'
Checked against this text when the bhajan was restored to its full form.
- kavitakosh.org — Biography: died 1963 at Bhagalpur railway station, aged 52
Checked against this text when the bhajan was restored to its full form.
- archive.org — Gurudev Kutir Bhajan Kirtan (Swami Sivananda's Rishikesh ashram), no. 35: mukhda with second line 'मन मन्दिर की ज्योति जगा दो, घट घट वासी रे'; same 3 antaras in the same order (plus later folk antaras)
Checked against this text when the bhajan was restored to its full form.
- archive.org — Pattiya aur Phool (1972): same mukhda second line; 3 antaras in the same order; 'घट घट वासी रे'
Checked against this text when the bhajan was restored to its full form.
- archive.org — Hari Darshan Bhajan Sangrah: mukhda 'मन मन्दिर की ज्योति जगा दो घट घट वासी रे'; 'पंचम स्वर'; the same 3 antaras
Checked against this text when the bhajan was restored to its full form.
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